Saturday, 24 October 2020

Getting back to greyscale painting

 



In continuing studying from Sorolla paintings, this week I committed to just painting one of his works in greyscale with the three value approach method and gradually building on top. This non destructive process allowed me to more experiment with the mixer brush without loosing the over form and structure of the piece as I was intent of where I put my first two values focusing on the light and dark shapes. I really like this process as it helps me to commit early on not get bog down trying to figure out the lighting and composition halfway through a painting. It really gets you to build a good foundation first to paint on top of and gradually build up. Next week my intention is too continue building on greyscale painting. 

Saturday, 17 October 2020

October Artist Study_ Joaquín Sorolla




Recently had the urge to get back into studying master's of the past, so I decided  for the remainder of this month I would look and analyse the works of Joaquín Sorolla and his masterful paintings, in attempt to learn his approach to colour and composition and his methods of grouping values when composing a pleasing image. I feel as though I have learnt a great deal from this experience and still have a lot more to learn about the theory behind light and colour. 

What was most notable about this painting is about how the artist effectively made use of subtle hue and temperature shifts and in the wide range of colour particularly in the figures jacket as well as other surrounding areas in the piece. I also really like how he has made the distribution of his shapes with in a square image canvas which I often find difficult to work with. 

Overall I am pleased how much I was able to accomplish in the week and what I got out from this  artist. I would say the area I most struggled with was identifying the form of the subjects hands and keeping transition of values subtle yet recognisable. The other area would be sleeves where I could pick out subtle greenish grey tones and yet not make it too jarring or prominent to the viewer.

In the coming in weeks I plan to look at more of Sorolla paintings and try to see what more I can pick out from this great master. Perhaps maybe look into how he construct his values, by producing a series of black and white or greyscale studies of his painting.